drama as imitation


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Learning from Aristotle – The Poetics of Aristotle Applied to Audio Drama – Part 3

Today, I’m only travelling a short distance through Aristotle’s poetics. He is again presenting us with a series of definitions, but these definitions are highly practical (at least until we get to book XII which, I think, can be skipped without any real loss occurring). If we use these definitions as a guide, we gain […]

Learning from Aristotle – The Poetics of Aristotle Applied to Audio Drama – Part 2

Here we are taking a look at the next 5 sections of Aristotle’s poetics. As I stated last time, I’m working through Aristotle’s Poetics in an attempt to figure out why, even today, he is pointed to by script-writers as a guiding light in the production of drama. He is wordy, and often difficult to […]

Learning from Aristotle – The Poetics of Artistotle applied to Audio Drama (Part 1)

This is a rambling exploration of Aristotle’s guide to understanding and writing drama (as applied to audio drama) that began as a set of personal notes on Artistotle’s little book “The Poetics”, but, as I wrote, turned into a one-sided imaginary address to other writers, who like myself, are interested in figuring out why script-writing […]

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