Content Advice: This audio drama serial contains supernatural and fantasy themes, low level sexual references, character deaths, references to ritual murder, and moderate impact violence.
“The Cult of the Teeth” is the second play in our Pulp Adventure series featuring Trent Stone and Tess Carter. Glory-hound and expert hunter, Maynard Havelock III, is the victim of a ritual murder shortly after having dinner with Trent Stone and Tess Carter. Finding themselves at the top of the suspect list, Trent and Tess are forced to investigate the disappearance of a number of young women from Star City University in a bid to clear their names. Their investigation takes them in search of an ancient cult (recently established in the modern city in which they have made their home), a missing obelisk, and behind it all, a familiar wheel-chaired villain. Can they prove their innocence and prevent the cult from committing any more ritual murders?
About the Author
Philip Craig Robotham grew up in a house full of books and has held numerous jobs as a teacher, computer programmer, graphic and web designer, e-learning consultant and, most recently, writer. He currently lives in Victoria, Australia with his wife and two sons. When he was younger and fitter he enjoyed martial arts, but in recent years his hobbies have tended towards more sedate fare (board games, movies, books, and role-playing games).
He is extremely grateful for the encouragement he receives from his biggest fans — his wife and two boys — all of whom read and enjoy his scripts and, in general, make his life worth living.
This post and all its content is copyright © 2013 Philip Craig Robotham and has been released under a Creative Commons Attribution Non-Commercial No Derivatives (CC BY-NC-ND 4.0) license. This serial cannot be reproduced, shared, or performed commercially without the written permission of the author. The production of derivative content, merchandise, or creative works and materials is expressly forbidden under this agreement. However you may share, reproduce, and perform this serial freely so long as authorship is acknowledged, no money changes hands, and the plays are not modified in any way.
You can contact the author regarding performance rights (or simply to say hello) through his website: http://www.weirdworldstudios.com.
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